Showing posts with label identity design. Show all posts
Showing posts with label identity design. Show all posts

Thursday, March 5, 2009

Tropicana Travails

Well, it came and it went: the redesigned carton for Tropicana Pure Premium orange juice— derided as European, at best, and generic, at worst. It wasn't until the Tropicana debate erupted on the blogosphere that I realized European has such negative connotations; from a design standpoint, European is usually considered a positive. Evidently not to Tropicana loyalists. When I first encountered the new carton, my initial reaction was more ambivalent than negative. It certainly stood out amidst all of the orange (the fruit), orange (the color) and orange tree imagery on all the other cartons of juice. The new Tropicana logotype, which preserved the little green leaf over the "i", seemed an improvement over the previous version, which contained two of my least favorite design conventions: curved type and a gradation. The image of the stemmed glass of juice looked suitably enticing and spoke to a new emphasis on elegance (after all, isn't it rather fancy to drink one's juice from a stemmed glass?).

However, on closer inspection (because I had to buy it), I found the typography to be in serious need of refinement: bad justified paragraphs, two many weights and styles, excessively long line lengths, type placed on the vertical for no apparent reason, etc. In short, not very European.



I certainly didn't feel strongly enough about the redesign to complain to PepsiCo, unlike denizens of loyal Tropicana consumers. This week, Tropicana announced it would return to the original carton design, while maintaining the new, slightly sexual, bulbous orange-shaped cap. So the iconic orange with the red and white striped straw is back. It's an appealing image; it always was, with the implication of fresh squeezed taste. Although, I know fresh-squeezed o.j., and, Tropicana Pure Premium, you're no fresh squeezed. However, Tropicana—even the original design above—is still the best looking mass brand of o.j. on the shelves.

I'm curious to see how the equally controversial Pepsi redesign (also by the Arnell Group) plays out in the coming weeks. Good God, is it too European?

Wednesday, April 16, 2008

Starbucks: Old vs. New Logo


For a short time only, Starbucks has returned to their original twin-tailed, Rubenesque mermaid logo. People are all whipped up into a cappuccino lather. Why depart from the ubiquitous green gal? Is the old logo drab and lifeless? What's up with the new-old gimmick? According to CEO Howard Schultz: “I think the logo’s going to be somewhat disruptive. . . .We want people to talk about it.”

My understanding about the development and re-design of the Starbucks logo is that it was simplified to remove the shocking parts: breasts (!), voluptuous flesh, unkempt siren's hair, and worst of all, that tail crotch (?!). I don't know; I find her quirky and appealing in that small, independent coffee shop with a hideous amateur logo kind of way. Let's just say that I don't frequent my favorite local coffee shop based on their identity, but on the artistry of their foam and caramel smoothness of their espresso shots.

Starbucks, I'm afraid you can never go back. You're a slick, corporate coffee giant. Better bring back the green gal before your loyal customers get confused.


Tuesday, April 15, 2008

Official Olympic Mascots 2008


I am totally non-athletic/non-sporty in any way, but I love love love the Olympics. Especially the Summer Olympics with all the bad-ass track stars and super sexy, super high-tech swimsuits. How excited am I for the academic quarter to end and the Olympics to begin—well, there are no words to describe it.

From a design standpoint, past Olympics serve as fantastic case studies in identity and icon design. Mexico 1968: a design classic. Barcelona 1992: Javier Mariscal's controversial Cobi, the Cubist Catalan sheepdog. Nogano 1998: that sweet and poetic Snowflower. London 2012: an absolute debacle.

I haven't had time to thoroughly investigate the Beijing graphics, but I did just discover the Official Mascots of the Beijing 2008 Olympic Games: Beibei the Fish, Jingjing the Panda, Huanhuan the Olympic Flame, Yingying the Tibetan Antelope and Nini the Swallow. They are just lovable in the way that only Asian cuties can be.

As a side note, I feel that the Olympics should be free of politics and that protestors/boycotters are naive fools whose actions primarily harm the athletes who deserve to compete on the global stage. I was shocked to find that I agree with President Bush (or his handlers) who said that the U.S. would take a stance of "quiet diplomacy" rather than boycotting the Olympics' Opening Ceremony (sorry, Hillary, I'm not with you on this one). Eight years in is a little late for diplomacy, but hey, better late than never.

Stay tuned for a thorough analysis of the Beijing 2008 graphics.